Faculty 2025

Annette Bauer

Annette Bauer is a recorder player and multi-instrumentalist. Born and raised in Germany, she holds a diploma in medieval and Renaissance music from the Schola Cantorum in Basel, Switzerland. From 2001-2012 she called the San Francisco Bay area her home, where she studied sarode and voice in the classical North Indian tradition under Maestro Ali Akbar Khan. In 2004, she completed an M.A. degree in music from the University of California in Santa Cruz. As a freelance musician, she worked with early music ensembles all over the United States, including her own groups Cançoniér, Les Grâces, Farallon Recorder Quartet, and The Lost Mode, and as guest artist for Piffaro, Magnificat, and Texas Early Music Project, among others. From 2012-2020 she toured the world as a musician for Cirque du Soleil’s show TOTEM, performing over 2300 shows across 36 cities, 12 countries, and 4 continents. Annette is now making a new home with her partner and young daughter in Montréal, Quebec. She is currently sharing her love of music by offering online and in person music lessons in her private studio, as well as teaching online workshops for the American Recorder Society and Amherst Early Music, including an ongoing online class on early notation. Annette is the current music director of the North American Virtual Recorder Society (navrs.org), directs the annual San Francisco Early Music Society Recorder summer workshop (sfems.org), and coaches Harmonia, one of the ensembles of the Montreal Recorder Society. In the Montreal music scene, she has performed as a guest artist with Montreal-based medieval women’s ensemble Scholastica, Trio Regard Persan, Projet O of choreographer Sarah Dell’Ava, and with singer-songwriter Juulie Rousseau. In the spring of 2024, she was part of a creative residency at the Centre Des Musiciens du Monde, working on a musical duo project together with Chinese guzheng player Ran Wang, creating a program inspired by the historical silk road.

https://soundcloud.com/annettebauer
https://www.youtube.com/@annettebauermusic
instagram: @annettebauermusic
FB page: Annette Bauer – musician
https://www.facebook.com/profile.php?id=100093976200016

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Allan Carr

Allan Carr grew up with traditional music (his grandfather was a piper, sisters played fiddle, accordion and piano, and the family sang many traditional songs together) and heard, learned from, and sang with epic traditional singers such as Jimmy McBeath, Stanley Robertson, Lizzie Higgins, Tom Spiers, Jimmy Hutchison to name a few! Allan won numerous TMSA contests for traditional singing and has also penned his own songs in the traditional style.  He is extremely knowledgeable about the history and background to his songs from social and economic perspectives and is an interesting and interactive teacher.  He also focuses on helping students with their traditional singing techniques and artistic interpretation of the songs.  

 In addition to his solo, Allan has played and recorded with Janie in numerous bands including HADDEN, ROTHFIELD & CARR (with Silly Wizards Martin Hadden), RED HEN (with David Kiphuth and Linda Schrade) and CORACREE (with Sarah Gowan and Bill Quern). 

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Al Cofrin

Al Cofrin earned a BA in Jazz Theory & Composition at the University of Texas in the early 1980s. He became interested in medieval music when a professor pointed out that both jazz and medieval monophonic music utilize similar improvisational skills. He continued graduate music studies and worked on a thesis project of medieval monophonic songs and dances resulting in the 1995 publication of pre-15th century transcriptions and a collection of Renaissance dance music. The publication of his work led to the desire to perform the music he had worked with for so long. Istanpitta was born in 1994 and continues to play for concert venues and universities across the country. He has been on faculty for several Early Music related workshops including the Texas Early Music Workshop and San Francisco Early Music Workshop.

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Wendy Gillespie

As a child, Wendy Gillespie heard the New York Pro Musica in concert and was inexplicably attracted to polyphony long before she learned a word for it. She was already a string player, so the viol was the obvious instrument to pursue. Applying only to places that had viola da gamba teachers (there were four in 1968), Wendy was drawn to Wellesley College, Boston, and the world of early music performance well before anyone started muttering about authenticity. Ironically, her first professional gig was as the New York Pro Musica’s last viola da gamba player. 1974 found her a self-employed viola da gamba/vielle/viola player in New York City playing ars subtilior music with the Elizabethan Enterprise (don’t ask…), 13th-18th century music with Ensemble for Early Music and Waverly Consort, baroque music with Badinage, even sackbut in the aptly named ensemble The B Team. She was on the board of Music Before 1800 at its inception.

In the ensuing decades, she has performed on five continents, most often as a founding member of  the viol consort Fretwork and long-time member of the ensemble Phantasm, but also as a bass viol soloist, and not least as a happy continuo player. More recently, Gillespie has been specializing in renaissance viols and early repertory with the consort Nota Bene and appearing regularly with The Barefoot Allstars of California and the not yet discovered trio Lyra Waye. Wendy received Early Music America’s Thomas Binkley Award in 2011 and the Wellesley College Alumnae Achievement Award in 2012. She is Past President of the Viola da Gamba Society, honored with a lifetime membership in 2023. In 2017, after 32 years on the faculty of Indiana University, Bloomington IN, Gillespie graduated to  Professor Emerita. Since then she has been on a journey to learn more about life, the universe, and everything.

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Phil Hollar

Phil Hollar teaches recorder in Hickory, North Carolina. He is a frequent faculty member at workshops including Mountain Collegium Early Music and Folk Music Workshop, the Atlanta Early Music Alliance Mid-Winter Workshop, and the Triangle Recorder Society Spring Early Music Workshop. Phil has extensive experience leading American Recorder Society chapter playing sessions and has been invited to lead sessions nationwide. He currently serves as a board member for the American Recorder Society where he chairs the Play the Recorder Day Task Force. Phil holds a Bachelor of Arts in Music from the University of North Carolina at Greensboro.

Phil Hollar’s website

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Therese Honey

Childhood fascination with the harp blossomed into an exciting and successful career as a professional harpist and recording artist for this Houston native. As a self-proclaimed “crusader for music of great heritage”, Honey draws on her vast knowledge of early music history and her stunning virtuosity to bring alive for her audiences the incredibly beautiful music of the Middle Ages, Renaissance and Baroque eras.

Honey’s unique specialization keeps her in demand for lectures, concerts and festival engagements across the United States. With a vast and varied repertoire that includes familiar classical and popular favorites, she is a first choice for performances at social occasions as a soloist or with chamber groups.

Therese Honey delights and entertains her listeners when she performs on any one of her collection of harps, which range in size from the modern gold Concert Grand harp to the ancient Celtic harp.

Therese Honey is a specialist in Celtic and Early harps, with a background in classical pedal harp. Therese tours throughout the United States and in 1997 she performed at the 20th Annual Carolan Festival in Keadue, Co. Roscommon, Ireland.Bristol Renaissance Festival 199

Therese performs early music in the Houston area as well as with the Texas Early Music Project (TEMP). She presents concerts of Medieval and Renaissance music on copies of historical harps and wire-strung and other folk harps of ancient design.

She performs traditional music solo and as a member of Wyndnwyre, with an emphasis on the traditional music of Ireland, Scotland and Wales and 13th-century Medieval music. Therese occasionally joins forces with Istanpitta for performances of Medieval music.

She has an active teaching studio in the Houston area and tours throughout the US as a clinician and adjudicator.

In addition to her private studio, Therese teaches workshops on Medieval, Renaissance and Celtic repertoire, arranging and style, and Harp Ensemble. She is a dynamic teacher who inspires and motivates her students to learn more about the harp: its technique, repertoire and history.

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Joan Kimball

Joan Kimball is the former artistic co-director and a founding member of Piffaro, The
Renaissance Band. She has concertized with the ensemble throughout the U.S., Europe, and South America and has performed with many of the leading early music artists and
ensembles in this country. With Piffaro she has recorded for Newport Classics, Deutsche
Grammophon Archiv Produktion, Dorian Recordings and PARMA/Navona, and in addition can be heard on the Vanguard, Eudora and Vox Amadeus labels.

Widely known in the early music community as a teacher of recorder, early double reeds and bagpipes, she has been on faculty at early music festivals and workshops across the country, including The Madison Early Music Festival, The Early Double Reed & Sackbut Workshop, Amherst Early Music, The San Francisco Early Music Recorder and Med/Ren workshops, The Texas Toot, and Hidden Valley Early Music Workshop.

Joan has intimate knowledge and experience with early double reeds, playing both shawm and dulcian, as well as capped reeds and bagpipes. She has far too many of the latter in various sizes, pitches and volumes in her studio, and is committed to keeping them all in good working order! She makes her own reeds for all her instruments and supplies them as well for reed players across the country. One of her specialties is refurbishing whole sets of krumhorns, replacing the old plastic reeds with more authentic cane ones. In addition, she collaborates with instrument maker Joel Robinson on the construction of Medieval and Renaissance bagpipes.

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Holly Maurer

Holly received a BA from St. Lawrence University in music and religion and the MM from The New England Conservatory in performance practice of early music where she studied with Grace Feldman. Since coming to Charlotte in 1993, Holly has been a member of Carolina Pro Musica performing throughout the Southeast including concerts at Wingate, Sweetbriar College of Virginia, Davidson College and Gardner Webb. The group performs on their own series in Charlotte and has been featured on concert series in Asheville, Columbia, Lincolnton and Belmont where Carolina Pro Musica is a resident artist ensemble at Belmont Abbey College. In 2005 the ensemble presented concerts in and around London, England and in 2009 performed at the Boston Early Music Ensemble. In addition to concerts with Carolina Pro Musica, Holly performed regularly with Carolina Baroque of Salisbury and has been a guest artist with several groups in the area. Holly has recently retired from The music faculty of Central Piedmont Community College where she taught the Early Music Ensemble and Baroque Performance class.

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Jody Miller, Director

Jody is director of Lauda Musicam of Atlanta and teaches private recorder lessons in the Atlanta area.  Previously, he has served on the faculty of the Atlanta Early Music Alliance Mid-Winter Workshop and has taught recorder workshops throughout the country.  Miller performs most frequently with Amethyst Baroque Ensemble, but  he is also a member of Eclectic Collective, Ritornello Baroque Ensemble, and Sol Divino.  Miller often collaborates with modern instrumentalists when performing his favorite works—contemporary chamber music for recorder.  He works closely with composer Timothy Broege and has premiered several of his compositions.  More recently, Miller performed the premier of Martha Bishop’s Dark Moods–Breakaway for recorder and percussion and Gregory Hamilton’s Ave Maria Variations for unaccompanied recorder.   Jody has performed with the Atlanta Symphony Orchestra, New Trinity Baroque Orchestra, Atlanta Baroque Orchestra, Cincinnati Opera, and the Victoria Bach Festival. Jody has served as Director of Mountain Collegium since 2011.

Jody Miller’s website

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Will Peebles

Will Peebles has taught courses in bassoon, music theory, music history, and world music at Western Carolina University since 1992, and served as Director of the School of Music from 2005-2014. In 1999, he established Western’s Low Tech Ensemble, which now performs on Balinese, Javanese, and Sundanese gamelan.  Will’s musical interests include shape-note singing, historical bassoons, and performance on Renaissance instruments such as the krummhorn, kortholt, and rackett.

Will Peebles’s website

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Gwyn Roberts

Gwyn Roberts is one of America’s foremost performers on recorder and baroque flute, praised by Gramophone for her “sparkling technique, compelling musicianship, and all-around excellence.”  She is also co-founder and -director of Philadelphia Baroque Orchestra Tempesta di Mare, hailed by the Miami Herald as “the model of a top-notch period orchestra.”  Now in the 15th season of its Philadelphia Concert Series, Tempesta di Mare tours from Oregon to Prague, recently released its 10th CD on the British label Chandos, and reaches audiences in 56 countries around the world with broadcasts of live performances.

Roberts’ soloist engagements include Portland Baroque Orchestra, Recitar Cantando of Tokyo, Washington Bach Consort and the Kennedy Center. In addition to Chandos, she has recorded for Deutsche Grammophon, Dorian, Sony Classics, Vox, PolyGram, PGM, and Radio France. Her latest solo recordings include the Fasch Recorder Concerto in F, Bach’s Concerto in G after BWV 530, and Sonatas by Francesco Mancini.  She enjoys collaborating with living composers, recently recording James Primosch’s Sacred Songs and Meditations with the 21st Century Consort for Albany Records.

Roberts studied recorder and baroque flute at Utrecht Conservatory in the Netherlands with Marion Verbruggen, Leo Meilink and Marten Root. She loves teaching, with recent masterclasses at the Curtis Institute of Music, Hartt School of Music, and Oregon Bach Festival.  She is Professor of Recorder and Baroque Flute at the Peabody Conservatory, Director of Early Music Ensembles at the University of Pennsylvania, and directs the Virtuoso Recorder Program at the Amherst Early Music Festival.

Gwyn Roberts’s website

Tempesta di Mare’s website

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Janie Rothfield

Janie Rothfield is a power-house American fiddler, clawhammer banjo and guitar player who is widely recognized for her traditional and inventive style, in the pocket rhythm, whimsical groove and her award-winning original tunes. She is a full time touring musician playing concerts, workshops, festivals and dances around the world and online.

Janie has been performing, recording and teaching music that is rooted in Traditional American and Celtic Music since her teens when she started playing with older generation musicians from New England, North Carolina and Quebec. With over 15 recordings to her credit,  Janie has traveled the world with her unique brand of traditional based music including the UK, France, Germany, Holland, Australia, Canada and throughout the USA.  Janie is also the founder and director (and instructor) of Janie’s Jumpstart Home Based Weekend Music Camps held in homes around the world!

Janie currently performs as a solo artist and with duo with Scottish Singer/Guitarist ALLAN CARR (her husband), THE IDUMEA QUARTET (innovative old time string quartet), HEN’S TEETH (with cellist Nathan Bontrager), LITTLE MISSY (duo with daughter Shona Carr), and CORACREE (Contra Dance and Folk Band).

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Chris Rua

Copyright 2024 Rob Strong

Chris Rua performs on a wide range of instruments including recorders, oboe, flute, bagpipe, Renaissance reeds, percussion and as a vocalist. She has performed with the Quadrivium, the Utah Shakespeare Festival, Libana, the Christmas Revels, Early Music New York, Piffaro, and Ex Umbris. Chris has taught at numerous Early Music and Dance workshops including Early Music Week at Pinewoods, of which she directed for three years, as well as at World Fellowship, Westminster Choir College, The Mideast Early Music Workshop and the Boston ARS.  She has played for English Country dancing from California to England, with Bare Necessities to ECD Balls and at other dance weeks including the Berea Christmas Week, Buffalo Gap and English American Week at Pinewoods. Having completed a 10 year tour with Cirque du Soleil she now lives in  Vermont teaching students and ensembles at Seven Star Arts in Sharon VT and the Upper Valley Music Center in Lebanon NH. Chris’ most recent project is a live radio show called “Star Radio Hour” which she created and directs.  This old timey radio show incorporates local talent and highlights a swing band, close harmony singers, poets, storytellers and fun ads from local sponsors.

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Erik Schmalz

Erik Schmalz received degrees in trombone performance from Oberlin Conservatory of Music and the University of Cincinnati College-Conservatory of Music, but discovered early music and period instruments shortly thereafter and was hooked. With a current historic instrumentarium ranging from a 14th century straight trumpet copy to original romantic era trombones, he has been a historic trombone specialist and performer for more than fifteen years. As a member of Piffaro, The Renaissance Band, and Dark Horse Consort; a regular performer with large ensembles such as Philharmonia Baroque Orchestra, Handel and Haydn Society, Tafelmusik, Trinity Baroque Orchestra; and an active freelancer, Erik can be heard on many stages and on numerous recordings. His musical and instrumental versatility also led him to be cast as one of the seven instrumentalists in the Globe Theatre’s Tony nominated production of Shakespeare on Broadway. Erik currently resides in Winchester, CT.

Piffaro’s website

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Gail Schroeder, Assistant Director

Gail Ann Schroeder studied viola da gamba at the Royal Conservatory of Brussels with Wieland Kuijken, obtaining her First Prize and Higher Diploma, with distinction. She subsequently taught viola da gamba, pedagogy and directed the viol consort at the Brussels Conservatory from 1988 to 2002.

Gail has had an extensive career as soloist and as chamber musician, concertizing and recording with various ensembles such as the Huelgas Ensemble, Combattimento Consort Amsterdam, Ricercar Consort, Currende Consort, Capilla Flamenca, and Catacoustic Consort. She has performed in many of the European Festivals including Holland Festival Oude Muziek in Utrecht, Resonanzen, Innsbrucker Festwochen, Les Académies Musicales de Saintes, Festival van Vlaanderen, Festival de Wallonie and Internationale Festtage Alter Music Stuttgart.

Since returning to the USA in 2006, Gail has been in demand as a teacher and ensemble coach at workshops for the Viola da Gamba Society of America, the Amherst Early Music Festival, Madison Early Music Festival, Music on the Mountain, Retreat to Advance and Mountain Collegium, where she is assistant director and head of the viol program. Currently living in North Carolina, she teaches privately and is artistic director of Asheville Baroque Concerts.

Gail Ann Schroeder’s website

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Chrissy Spencer

Chrissy Spencer, viola da gamba, is a founding member of the vocal ensemble Uncommon Practice and the Baranduin Baroque Ensemble in Vancouver, BC, and has performed in Atlanta with Ritornello and New Trinity Baroque. She helps organize regional and national early music workshops, including the Mountain Collegium weeklong summer workshop and Music on the Mountain, a weekend viol workshop. She is the Vice President, and incoming President, of the Viola da Gamba Society of America. Chrissy lives in Atlanta, GA, where she is on the Biological Sciences faculty at the Georgia Institute of Technology, advocates for alternative transportation, and raises chickens in the city.

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Anne Timberlake

Anne Timberlake has performed in 34 states (North Dakotans– call me!) playing repertoire from across the last millennium. She grew up in early music, beginning her studies as part of Indiana University’s Pre-College Recorder Program, and later earned degrees in recorder performance from Oberlin Conservatory and Indiana University.  Her teachers have included Eva Legene, Alison Melville, and Han Tol.  Critics have praised Anne’s “fine technique and stylishness,” “unexpectedly rich lyricism” (Letter V), and “dazzling playing” (Chicago Classical Review).

Anne has received awards from the American Recorder Society and the National Foundation for the Advancement of the Arts, and was awarded a Fulbright Grant. With her ensemble Wayward Sisters, Anne won Early Music America’s Naxos Recording Competition, releasing a debut CD on the Naxos label in 2014.

Anne is a passionate and prolific teacher. In addition to teaching private, group, and online recorder lessons, Anne has led hundreds of recorder workshops across the United States.  Faculty engagements have included Oberlin Conservatory’s Baroque Performance Institute, Indiana University’s Pre-College Recorder Program, the San Francisco Early Music Society, the Amherst Early Music Festival, Virginia Baroque Academy, Mountain Collegium, Mideast, Pinewoods Early Music Week, and numerous American Recorder Society chapters.  Anne lives with her husband and two children in St. Louis, MO. Find Anne online at annetimberlake.com

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Barbara Weiss

A versatile and engaging musician, Barbara Weiss’ diverse musical experiences range from recording and performing ancient classical Cambodian music to directing a baroque opera company to chairing a university’s early music program.  She started out as a clarinet and piano player and learned recorder in high school. She studied recorder and shawm at Indiana University, where she had opportunities to perform Brandenburg concertos and the Telemann suite.  In addition to being the director of Recorder Society chapters in Michigan and Minneapolis, she has been on the faculty of both the Oberlin Conservatory and the Peabody Institute.  She has taught at summer workshops such as the Oberlin Baroque Performance Institute, the Madison Early Music Festival, Mountain Collegium, and Indiana University’s Recorder Academy.  She currently lives in Asheville, NC, where she performs with Muses Delight, Pan Harmonia, and the North Carolina Baroque Orchestra. Her collaborations include Belladonna, the Newberry Consort, Quicksilver, Chatham Baroque, the Smithsonian Chamber Players, the King’s Noyse, Apollo’s Fire, the Chicago Opera Theater, Ensemble Vermillion and Piffaro. She hs has recorded with the Dorian, Flying Fish and Harmonia Mundi labels.

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